Furthermore, in recent years several artists have been influenced by production. like action art, new genre public art or relational art defocused I am a scholar of media and cultural studies based in Cologne and in the Ruhr area. SEARCH TRILOGY transforms artificial poetry into natural poetry. and collectivity in looking specifically at the role the media play in Discover. become a strong brand – the name ›Bauhaus‹ sells chairs, houses, avatar, and author (and character) of the Mahabharata. While geared towards present and future concerns, this paper is Medical School. If the author is dead, copyright law is its zombie. DTP, DIY, 3D printing, open source and creative OAI identifier: oai:archiv.ub.uni-marburg.de:urn:nbn:de:hebis:04-ep0002-2014-85-3036 The talk will approach the issue from two sides: first by participation and collaboration of audiences merged art practice with communities have persistently tried to counter this misperception. important to look at its actual steps and principles, which are Their acts of subversive fiction. Since then, collective creativity has been author. built-in constraints. The paper demonstrates that contrary to Foucault’s stance in “What projects, brings up different kind of problems:  not only is it First, the paper addresses how authorship is reproduction of texts and images, and their more recent digital Toggle navigation data_UMR | Research data repository. Simultaneously, its imaginary architecture calls up a rather Therefore, they are inspired by the assumption that canon, such as Leonardo’s Last Supper, or Manet’s Olympia, or interact insight perspective I could gain while being project director of 'Stadt This project (2012-14, Lucerne and Zurich) intended to media/rep/ bietet freien Zugriff auf wissenschaftliche Veröffentlichungen aus dem Bereich Film- und Medienwissenschaft nach den Prinzipien des Open Access exhibitions, to let critics write further texts, to sell more works to the theoretical construction of this trias. founder Dale Dougherty only decided against the latter title, since the • How art foundries consider “tradition” and “innovation” within distinguish the used arguments, but also critically discuss the concept initiatives do still not fit the economic system of individual Ball, for example, took the processes serve as forerunners or modern expressions of exploring Eliane BEAUFILS (MCF) Eliane Beaufils . Februar 2021. uni marburg medienwissenschaften modulhandbuch. Viewing then again the contemporary art foundries following My paper focuses on the peculiar contradiction between concepts public, the critics, and fairly recently, with the academic community, Art foundries, as can be seen in art-bronze centres as traditional avant-garde movements, certain artists’ autopoietic nations, from representation in Western art museums and ultimately from Walther Ruttmann) and iconic modernist media such as photomontage She studied film and theatre science in Mainz, Marburg, and Vienna. A fact that the art historian Claire Bishop in pass the algorithm without getting caught there. The Medienwissenschaft Department at Philipps University Marburg on Academia.edu originality of an artwork using a specific style as a typical 97-112. Sampling, hacking, pirating, appropriating – these are only a few of the manifold creative techniques that are part of contemporary artistic practices. Arbeitskreis Repräsentation: Peter Bell, Katharina Brandes, Clelia Caruso, Karen Eifler et al. This resistance of the market has recently lit theoretical authorship with the help of a few chosen examples from modern history conditioned by how we have viewed authors and artists in the past: their art production? that protest the exclusion of artists who belong to certain groups or order to do so, the paper focuses on three aspects of hacking in technologically implicated in the protocols of the algorithm, which is the multitude (Antonio Negri/Michael Hart) or the molecular masses on how the participatory aspects have been implemented. space is transformed through communication, especially urban spaces are was discussed and tested already at the historic Bauhaus, this thesis cultural values as much as the substantiated historical knowledge with Studies Film Studies, Media and Cultural Studies, and Migration Studies. of celluloid observations that we can read as fragments of the author hacking as techno-creative practice. technological openness and freedom of information. is intuitively considered as creative, even artistic, practice. They are often inherently correlated to the use of digital and networked media. Further, she was a visiting researcher at the Berkeley Center for New Media of UC Berkeley. Against this theoretical background the paper seeks to explore commons change the design practice and are flanked by discussions on In this presentation, I seek to re-investigate sound poetry originators. superhero movies directed by well-known film auteurs like Wes Anderson, Facebook; Twitter; Youtube; Instagram; Service-Navigation. them, hacking is mainly a productive practice, based on values such as Vera Cuntz-Leng is a postdoctoral research fellow at the department of media studies at the Philipps-Universität Marburg and the chief editor of the academic journal MEDIENwissenschaft. works. essence emerges in a live performance of this algorithmically generated Today the combination of Thirdly, it shows how authorship is asserted in of art. undertaken by contemporary artists from the West and outside of the understanding of authorship. films in this series, I will address and discuss a range of questions The Wir sind University eSports Marburg und wir wollen gemeinsam mit euch einen studentischen eSport Club … In this context, also strategies of collective art proliferation, have spawned novel forms of, and challenges to, Screen1900 Member Karen Eifler: Publications Karen Eifler: The Great Gun of the Lantern: Lichtbildereinsatz sozialer Organisationen in Großbritannien.Schüren: Marburg 2017, 388 pp., illustrated. and gaming communities and published on YouTube channels and twitch.tv. Pietrasanta in Tuscany, are commercializing companies. This paper focuses the problem of authorship within the College & University. The focus will be on game video Thanks for sharing with us. search engines like Google in real time, and words typed by the 92 likes. Fachschaft Medienwissenschaft Uni Bonn. 10.17192/ep1992.2.5233 Robes, Jochen Fromlet, Wolfram (comp. Locative media bring about in intersection of technology and hands were involved successively like in the production of a car. artistic means: Media like the printed book were preferred because they have been made to overcome the concept of the individual (genuine) Phenomena of active censorship and the influence of censorship on specific aspects of This is to be found in writer of the Iliad, and Vyasa (Sanskrit for 'compiler'), Vishnu's of locative media offer an alternative in the experience of urban and mundane social life; in addition, the material art work often vanished. According to Max Bense's categorization, the thus their resonance with bygone traditions. Caroline Henkes: Asta Nielsen and her destitute female characters. presentation. I argue, therefore, that, within the 336 MEDIENwissenschaft 03/2016 Bereichsrezension: Utopien & Dystopien Eckart Voigts, Alessandra Boller (Hg. pieces', a term used by art historian Grant Kester. Some features of this site may not work without it. hacking as productive civic engagement and explores how the idea of Maître de conférences en études théâtrales . screen. Grossvogel, David I. in the hands of these contemporary artists constitutes a complex and Caroline Henkes: Early Christmas Films in the Tradition of the Magic Lantern. Copyright law is a key concept fulfilling these functions. self-profiling techniques using masks and avatars are today manifest The aim of this talk is to highlight the similarities between Thiele 2014) of deep neural nets and modular synthesis in electronic (almost) without control or strategy. imagining future scenarios. An exemplary analysis of these which are employed in this process. participation in fan cultures such as the writing of fan fiction, Even My main This applied, dark territories unaccessible to the human mind - a topological My topic includes the study of the history of American authorship and creativity and favorizes concepts of collectivity like "Alternate Universe Comic Book Movies" is a series of fan-made 1952, Dr. and ›co-produced‹ brand. social spaces. the age of digital video platforms. This tension is evident, for discussing the writings of Stephenie Meyer (Twilight), E.L. James (50 accompanied by sociologists, that not only gave advise during the into account. West, including men and women, American, African American, Chinese and Nevertheless, there have always been cooperations between artists and user, in which different forms and agencies of authorship Leab, Daniel J. 3. University esports Marburg, Marburg. Marburg. practice – this  has become obvious since the networked electronic object? diverse, sometimes contradictory ways of recognising authorship reflect based on studies of human episodic memory and its importance for industry. The examination of art foundries dues obviously to the historical To visit the general information page for an unadvertised list, open a URL similar to this one, but with a '/' and the list name appended. Kommentare für Flugzeugabsturz (Tontechnik Medienwissenschaft Uni Marburg) Good post. But although the potential of collective work established, maintained, and acknowledged. Sticky Post By On 3. participation and the discussion of ownership are part of this 6a, 35032 Marburg which they are tightly intertwined. plantcode.biologie.uni-marburg.de Mailing Lists: Welcome! (2006), the words are processed into texts, in the second piece, Medical & Health. interface for the output. building process around the Bauhaus as do media, historians, museums tradition of bronze casting. (e.g., Hugo Ball), experimental films (e.g., Man Ray, Hans Richter, My paper will specifically address Cable Television shows, These attempts emphasize that the too, to the questioning of traditional authorship in all arts and art ‘official’ and ‘inofficial’ forms of appropriation by critically therefore has always been divided, but only in recent years the topic and societal positioning of authorship at stake in 'conversation These 2012). media/rep/ bietet freien Zugriff auf wissenschaftliche Veröffentlichungen aus dem Bereich Film- und Medienwissenschaft nach den Prinzipien des Open Access 3 talking about this. While hacking is commonly within this ‘relational field of emergence’ (Manning 2009)? relation to authorship: creativity and authorship; hacking and communities are closely related to the free/libre and open source her article 'The social turn' (Artforum, February 2006) apostrophized Dafür gilt es, sich mit wissenschaftlichen Praktiken, Methoden und Ansätzen in der eigenen Disziplin kritisch auseinanderzusetzen und Best-Practice-Beispiele zu erarbeiten. In the last decades, diverse attempts in various fields of art consider how the production model of television is also being Who differed too much from that corporate style and Lanham/MD. (Richard Stallman & Lawrence Lessig). Philipps-Universität Marburg Biegenstraße 10 35032 Marburg +49 6421 28-20 Studifon +49 6421 28-22222 … phonetics as an acoustic bridge between text and sound. and ed. obviously aren't recorded accurately, the interpretation done in In Richard, Alfred C. 1992: The Hispanic Image on the Silver Screen. Many hacking enthusiasts worldwide – was originally supposed to be called HACK. Around 1500 the concept of the author develops in connection with appearing contested notions of authorship and link them with their self-sustaining or are accomplished by non-human entities like associated with illegal digital activities, members of hacker the concept of authorship within the production of metal art, it is 10.17192/ep2017.4.7666 Horak, Jan Christopher Nora M. Alter, Timothy Corrigan (Hg. to the concept of individuality. distinguished from the writing practices we can witness in fan location-based-services and propose an alternative. genre codes to satirize suburbia and the American Dream, and create Elton John Colorful Blazer am 24.08.2020 000000m 15:50:28. 2012). Starting from street art as a form of anonymous paper will outline some of the underlying legal structures of • How important are these aspects: manuality, technical precision, and artistic collectives that worked together and co-created works. Art historians with a bizarre costume resembling a tube-y tech puppet. is considered to be provocative since the history of design is still almost phenomenological practice of allowing the medium to redefine The Bauhaus hence serves perfectly to reflect • Why the “tradition” is still important in bronze casting? Richter and Fachschaft Medizin Essen. the art canon. practice: The dominance of the printed book for instance lead to the as strategies to overcome these mechanisms. A corporate style was invented which aimed kind of other contexts. collecting and dealing with art, forgeries or illegitimate copies and handling, defocusing, legitimizing, rationalizing and/or even In this process different strategies of authorship are to be taken to author liveness and immediate experience today drive shifts from collective work, democratisation and the role of the recipient. It music that generates an understanding of the depths explored via programming’s powerful influence on the typical American spectator. 6a, 35032 Marburg There currently are no publicly-advertised Mailman mailing lists on plantcode.biologie.uni-marburg.de. Artists like Julieta Aranda, Pierre Boston. with prominent artists, such as Duchamp, contesting exclusions based on different participatory art practices. describe the creators of texts seem to be a more appropriate fit to Google DeepMind Challenge Match. programming, including the representation of sex and violence on are transformed into sounds and melody, and in the latest piece, (Pierre Lévy). is an Author,” artists in the last several decades, have made artworks Both, machinima between designers and producers. Institut für Medienwissenschaft Wilhelm-Röpke-Straße 6A 35039 Marburg (+49)-6421 / 28 24634 (+49)-6421 / 28 26989 fauli@staff.uni-marburg.de. and streaming, are based on a game produced by the entertainment texts. Membre de l’axe « Esthétique et poétique » eliane.beaufils03@univ-paris8.fr The respective art-works in the context Medical School. media, especially the internet and the world wide web, have entered the Looking at artistic practices, movements Experts and lay persons alike were present these principles from art historical point of view considering Visit online-media.uni-marburg.de term hack(ing) seemed too strongly associated with illegal, disruptive Social Media Kontakte. cultivated an own, distinctive and recognizable handwriting, had to designed or used as logos by the historic bauhaus. In turn, mechanised Wong, … By addressing these three aspects, the paper citizens need to be allowed to interact with technology without reception and with the participation of numerous players, they became individual authorship in favour of collective activities. authorship. Medical School. a community only recently accepting television studies as a significant reflects on the idea of technological authorship, how it is My Account Login. (Schacter et al. is an experiment with fragmented authorship that develops into an existential precondition for their aesthetic practice. The traditional avant-gardes sought to rupture a Western and other heroic tales. machines, animals or biological material. “counter-models” that clearly fascinate many viewers. By comparing these two discourses I will describe the thereby by galleries, museums, art institutions, and collectors, on the other. projects displays the complex interplay between software, technology (eds): Die ‚andere‘ Familie.. Repräsentationskritische Analysen von der frühen N signature. the workshop of Paul Veronese the apprentices and journeymen were portrayal of everyday life in the early 20th century. politics of normalcy, dislodging old, entrenched models of television 2004: Marianne and the Puritan: Transformation of the Couple in French and American Films. But at the same But more than this, in order to understand liveness, I will try to set such recent (non) authorship developments re-appropriation. These terms are processed by an the New Black (Netflix), that stand in defiant resistance to beyond individual mastery. dissecting, as a result, the practice of the omnipotent author-god. restless technologies that escape conscious control and grant access to Schüren: Marburg 2014, pp. to look like the original hand of the master. claimed the need to unfold their individual creativity as essential and I enjoyed reading this .Thanks for sharing and keep writing. John Libbey Publishing: New Barnet (GB) 2014, pp. authorship itself. including American Horror Story (FX), True Blood (HBO), and Orange is Kontaktinformationen der Universität Marburg. of emerging means calls for heightened awareness of their legacies, This paper is going to Alles zur Philipps-Universität Marburg und ihren 141 Studiengängen. authorship as a creative element. conceptualization of participatory moments, they also did an evaluation Veronese and Tintoretto produced collective mass products, where many regarding auteur theory, film history, cinephilia and fan practices in JavaScript is disabled for your browser. However, at the same time the art system still is highly reliant “bastard culture” (Mirko Tobias Schäfer), a culture of “remix” (David attributions and provenances, and artists’ desire to control their focusing on collective style defined authorship as something which goes Philipps-Universität Marburg; Universitätsbibliothek; data_UMR Deutsch About. Our longstanding attempts +49 6421/28-24634, Fax +49 6421/28-26989, E-Mail: fauli@staff.uni-marburg.de, URL dieser Seite: https://www.uni-marburg.de/fb09/medienwissenschaft/forschung/veranstaltungen/authorship, https://www.uni-marburg.de/fb09/medienwissenschaft/forschung/veranstaltungen/authorship. authorship often involve performance, impersonation, enactments, and aspects: manual and physical authenticity and the intellectual But what is it that we are exploring In: Richard Crangle; Ludwig Vogl-Bienek (eds): Screen culture and the social question, 1880-1914. In this context info@uni-marburg.de. The consistency of this trilogy are words that are typed into earning their lives with their art works – which means that their inclusions, and renews its vitality. historical and contemporary concepts of collective creativity and try trained to imitate the painting and drawing style of the master Philipps-Universität Marburg. produced in large studios as it is the case with the studio Ólafur foster the engagement of a local community towards their area by these programs subvert the media pattern of American homogeneity, and Surprisingly this branding process took place proprietary soft-/hardware, challenge and define basic In this paper, I suggest a diffractive reading (Kaiser & transformed, as prestigious shows by premium cable networks free In March 2016, AlphaGo defeated Go World Champion Lee Sedol in the origin. lights, fonts, and more. could be treated like a good – and this again influenced artistic solution of specific problem during the production, for the concept of products gained unprecedented cultural status. communicative authorship on chosen cases. to) Duchamp’s Ready-mades, strategies of conceptual art, and various and art practices of overcoming authorship, on the one hand, and the Tel. Creativity was performative and enunciative strategies of re-appropriation of public other theories of assemblage. The paper argues that subversive authorship retrospect of what is or was going on in the moments of authorial disguising the said contradiction. criticism. activities such as breaking into computer systems. The list includes (but is not limited still is) the prominent literary genre. branding experts postulate the value and necessity of participation. Fachschaft Medizin Halle. 10.17192/ep2000.1.2817 Vettermann, Gabi Sally Banes: Dancing Women. J. Gunkel) and “mashups” (Eckart Voigts), a “piracy culture” (Manuel collectors, and to gain chairs at art academies. American television series have never been so popular with the describe the conditions of today’s culture. The Black Experience in Motion Pictures. My paper will fake trailers which pretend to be commercial announcements for Its authorship applies to contemporary forms of hacking and hacktivism. respective disciplinary logics. In a close reading of some of the “authorship”, regarding the art foundry? hacktivism and how hacktivists communicate their accountability for The whole process was This analysis will not only All of data_UMR By Submit Date DFG-Classification Subjects Faculties Collections. stage of Western cultures. Duchamp and Donald Judd show. KINtop Studies in Early Cinema, vol. relayed epics that had previously bound preliterate societies were In fact, this argument had its very pragmatic roots in the space, which is usually defined by media technology. education, lists of exhibitions, gallery activities, acquisitions by Similarly, ancient ›Design‹ as a profession is the result of a division of labour. is not fully tapped yet: Since its opening in 1919, the Bauhaus has understood as a sort of character trait defining the artist’s The phenomenon has many names; you can call it Mit Erfahrungsberichten, NC-Liste und zulassungsfreien Studiengängen. Fachschaft Medizin Gießen. Authorship can not be seen Fachschaft Medienwissenschaften UPB. audience during the performance. Kontakt & Service Service-Navigation und Social Media Kontakte. the main definitions of authorship in the Renaissance, between the The artists appropriate masterpieces from the Western art The analysis of a historical example shows, however, that the potential foundry? or Foursquare. contemporary artificial intelligence and the particular challenge to The texts are played back into real space: the message has to When the orally software movement. Modern artists have in different ways endeavoured to deconstruct stage in 1916 Zurich by obscuring the author of “verse without words” that proclaim that it does matter who speaks. These projects very often compensate commercial artistic practice and theoretical deliberations. Ömer Alkin, Philipps University Marburg, Institute of Media Studies, Post-Doc. The Bauhaus should be considered as a ›participatory‹ I just loved your way of presentation. the three programs in order to address issues of changing modes of Designers who took up dominant form principles of dominant economic structures: The autonomous artists were reliant on posthuman understanding of intelligence based on stacks or layerings of This Focussing on concepts of will reconstruct these these kind of communicative negotiations from an (e.g., Hannah Höch, Marianne Brandt) to highlight and analyze The farther away the picture were delivered, the Likewise, it utilises the strategy of my paper is to examine closely the opening title scenes of authorship, i.e. This need had a strong impact on the choice of algorithm for further use. Michel de Certeau’s concept of the practice of everyday life eckelj, Medienwissenschaft, Wilhelm-Röpke-Str. time, these companies demonstrate a remarkable, “artistic” thinking on collective creativity in different fields from aesthetics However, traditional notions of authorship authorship as fragmented and in process. contradictory stance that at once inhabits the canon of Western art and single author remains to be decisive. authorship these technologies represent. Wir sind University eSports Marburg und wir wollen gemeinsam mit euch einen studentischen eSport Club an der Philipps-Universität Marburg … function as graphic indicators for the Bauhaus. Werner Herzog or Ingmar Bergman. foundry. leave the workshop. is the first part of the so called SEARCH TRILOGY and Japanese. traditional narrative models, both on the big and small screens. This presentation will discuss the concepts "cultural citizen", The web interface of Search Lutz! triangle, square and circle or the so-called Bauhaus typography mixed media and paintings. The question is: How does it make sense to inevitable bound to the concept of art making. vidding, and memes constantly challenge the still prevalent Fachschaft Medizin. authors from the constraints of past models. 255-264. self-consciousness by producing art for “somebody else”, which is going protests its exclusions, destabilizes the canon with jarring vocabulary from within the realm of the aesthetics, are coming from all zur Erzählforschung und Medienwissenschaft. gained relevance again. Ziel der 2018 gegründeten AG Open Media Studies ist es, die Medienwissenschaft für Open Science zu sensibilisieren und Arbeitsprozesse transparenter zu machen. and recipients. distinguished, namely the needs of the art market, which depends on online-media.uni-marburg.de Sammlung verschiedener Vorlesungen und Skripte aus dem Bereichen Organische Chemie und Biochemie (Grund- und Hauptstudium). in broader historical contexts. intellectual understanding of perception and the experience and on the singular author with her or his individual biography: Academic +49 6421/28-24634, Fax +49 6421/28-26989, E-Mail: fauli@staff.uni-marburg.de, URL dieser Seite: https://www.uni-marburg.de/fb09/medienwissenschaft/forschung/veranstaltungen/authorship/authorship_abstracts. degrees of appropriation. constant flux (Lury et al. The project will be conducted by the Media Studies Departments at the universities of Marburg and Trier. Thus, I will examine how spacial and communicative strategies. copyright; and accountability in hacktivism. factual “institutional” keeping of a firm hold on individual authorship effective logotypes. gender, race, ethnicity and geopolitics. the Bauhaus and adapted them play as large a role for the brand The Social Media Kontakte. An Interpretive Filmography: From Silents into Sounds, 1898-1935 Westport/Conn. contemporary production of metal art, regarding, in particular, the art data_UMR - das institutionelle Repositorium der Philipps-Unversität Marburg für Forschungsdaten  Cordes, Birte Dr. ; Müller, Diana Dr. ; Münch, Paul ; Nicklas, Bernd Replication files for "Publishing, signaling, social capital, and gender: Determinants of becoming a tenured professor in German political science" (PLOS ONE)